Ragtime the Musical (2012)
18 May – 8 September
Book by Terrence McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Based on the novel RAGTIME by E.L. Doctorow
In a striking, bold and ambitious new production, Artistic Director Timothy Sheader added a contemporary twist to this powerful musical. ‘Visually imposing’ (Evening Standard) and ‘staged with brilliance’ (Guardian), Ragtime the Musical, starred, amongst others, Rosalie Craig and Katie Brayben.
The cast
Jamal Andreas
Ensemble
Stephane Anelli
Harry Houdini
Rolan Bell
Coalhouse Walker
David Birrell
Father
Louise Bowden
Ensemble
Katie Brayben
Evelyn Nesbitt
Tamsin Carroll
Emma Goldman
Anthony Clegg
J.P.Morgan
Rosalie Craig
Mother
Hayley Gallivan
Ensemble
Shimi Goodman
Ensemble
Harry Hepple
Younger Brother
Waylon Jacobs
Ensemble
Kurt Kansley
Ensemble
Claudia Kariuki
Sarah
Joshua Lacey
Willie Conklin
Mireia Mambo-Bokele
Ensemble
John Marquez
Tateh
Sandra Marvin
Ensemble
Sophie Nomvete
Booker T. Washington
Corinna Powlesland
Ensemble
Caroline Rovina
Ensemble
Carl Sanderson
Henry Ford
Jo Servi
Grandfather
Lucy St Louis
Ensemble
Tom Woods
Ensemble
Fin Banks
Little Boy
Rory Fraser
Little Boy
Ewan Harris
Little Boy
Lily Burgering
Little Girl
Lila Heller
Little Girl
Oriana Pooles
Little Girl
Creative team
Timothy Sheader
Director
Jon Bausor
Set Designer
Laura Hopkins
Costume Designer
Javier de Frutos
Choreographer
Nigel Lilley
Musical Director
James Farncombe
Lighting Designer
Chris Walker
Orchestrator
Nick Lidster for Autograph
Sound Designer
Barbara Houseman
Voice and Text Coach
Pippa Ailion CDG
Casting Director
Kate Waters
Fight Director
Majella Hurley
Dialect Coach
Fiona Dunn
Assistant Director
Ellen Stewart
Assistant Designer
Nuno Silva
Assistant Choreographer
Marcus Tilt
Assistant Musical Director
Jack Williams
Associate Lighting Designer
Reviews
Metro
“three-time Olivier winner Timothy Sheader has raised the artistic bar...Ragtime is the most ambitious production yet” “an impressive spectacle”
Daily Mail
“UPLIFTING” Stephen Flaherty's score matches the energy of the new America with the ragtime music of the period, swelling into gospel and climaxing in misty-eyed anthems"
Financial Times
“with show-stopping numbers and a Houdini escapology act, this is a production that matches its material in scope and audacity”
Guardian
“It is staged with all the brilliance you’d expect of a man who has won the Olivier award for best musical revival three years running”
Daily Telegraph
“Sheader’s coup is to combine the period setting with a prologue set in a junkyard in present day America...the working crane dominates Jon Bausor’s striking design”
Evening Standard
“VISUALLY IMPOSING” “Especially impressive is the radiant Rosalie Craig, who is surely a star in the making”